Grammy-nominated Chinese-American composer Zhou Tian (JOH TEE-en) seeks inspiration from different cultures and strives to mix them seamlessly into a musically satisfying combination for performers and audience alike. The Wall Street Journal states his works “accomplish two important things: They remind us of how we got from there to here, and they refine that history by paying belated tribute to contributors who might otherwise be forgotten.”

His music—described as “absolutely beautiful…utterly satisfying” (Fanfare), “stunning” (the Cincinnati Enquirer), and “a prime example of 21st-century global multiculturalism”—has been performed by leading performers and orchestras, such as Jaap van Zweden, Yuja Wang, Manfred Honeck, Long Yu, Noah Bendix-Balgley, the New York Philharmonic, London Philharmonic, San Francisco Symphony, Pittsburgh Symphony, Mahler Chamber Orchestra, Melbourne Symphony, “The President’s Own” U.S. Marine Band, Tokyo Kosei Wind Orchestra, Dover Quartet, and the Shanghai Symphony, where he recently served as Artist-in-Residence. His Concerto for Orchestra, commissioned and recorded by Louis Langrée and the Cincinnati Symphony, earned him a GRAMMY Award nomination for Best Contemporary Classical Composition in 2018, making him the first Chinese-born composer and the second Asian composer (following Tōru Takemitsu) honored in that category. In 2019, Beijing Music Festival named him “Artist of the Year.” In 2022, he became the first Asian-American composer to win the coveted Sousa-ABA-Ostwald Award from the American Bandmasters Association for Sinfonia.

Born into a musical family in Hangzhou, Zhou moved to the US when he was 19. Trained at Curtis, Juilliard, and USC, he studied with some of America’s finest composers, such as Jennifer Higdon, Christopher Rouse, and Stephen Hartke. He is Professor of Composition at Michigan State University.

Zhou Tian is Pronounced “JOH TEE-en”

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